And Jack Willis and, particularly, Candy Buckley are appropriately flamboyant in a variety of comic turns. The lushly pretty Samantha Soule displays wickedly precise comic flair in two roles, as the putative love objects and/or beards of all three men. Frechette is enjoyably besotted as Ludwig, Dugan and Barrow appealing as the star-crossed would-be lovers. In structure and tone, “Valhalla” is wildly messy, despite the assertively stylish frame of Christopher Ashley’s production, which features witty, plush costumes from Broadway costumer William Ivey Long, generous lashings of rococo lighting by Kenneth Posner and cleverly minimalist sets by Thomas Lynch.
![valhalla room hollywood valhalla room hollywood](https://i2.wp.com/soundtracksscoresandmore.com/wp-content/uploads/2020/12/acv-campfire-living-room_600.jpg)
Rudnick knows a play cannot merely be a compendium of jokes, but he doesn’t display a firm sense of what it should be. Poaching it may be, but it’s hard to resist quoting Rudnick’s more inspired lines, because beyond these bright bursts of humor there’s not much to celebrate about his skills as a playwright. In horror, Ludwig asks, “His own laundry?” Something that no king of any country should ever, ever have to do.” Such a carefully constructed setup is not likely to go unexploited. His mother warns him that if he doesn’t control his addictions, Ludwig will end up like his grandfather, who “was forced to do something horrible. But he, too, is mostly either a purveyor of distinctly 21st-century-style one-liners or a foil for them.
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Peter Frechette flounces with happy abandon as the dizzy King Ludwig, famous for his obsession with Wagnerian opera and a castle-building spree that ended with the Bavarian parliament having him declared bonkers. “Do you know what they call those books?” “What?” asks the goggle-eyed Henry Lee. “When a book is forbidden and sick and evil, when it’s in the adult section, it has special, dark powers,” he whispers seductively. Later, little James attempts to seduce his boyhood pal, Henry Lee (Scott Barrow), with a book swiped from the “adult” table in the library. But just look at your dining room.” It’s a delicious line, but any semblance of authenticity - of period and of character - is sacrificed for an easy laugh. When his mama scolds him for stealing a crystal swan from the local department store, little James taunts her for her gaucheness, calling her a “vicious, dried-up woman with bad hair and no taste.” She raises a hand to strike him, and he delivers the coup de grace: “Fine. Sean Dugan plays the sexually precocious young James Avery, a 12-year-old aesthete uncomfortably stuck in suburban Texas, pre-World War II.
![valhalla room hollywood valhalla room hollywood](https://images-na.ssl-images-amazon.com/images/I/8135mpCroqL.jpg)
When the wisecracks recede in the second act, they are left high and dry, as is the audience. But they’re not so much hostages to history as hostages to Rudnick’s insatiable lust for a great gag. Its two main characters, a gay adolescent growing up in 1940s Texas and the “mad” King Ludwig II of 19th-century Bavaria, are dreamers similarly oppressed by the cultural climates of their eras.
#VALHALLA ROOM HOLLYWOOD CODE#
The Zoning and Land Development Code outlines specific requirements regarding permitted uses, building setbacks, use separations, density, height, and location as well as parking, landscaping, signage, and more.But it tends to get in the way of his playwriting, and “Valhalla” is a prime example. This is achieved by Planning's primary responsibility of administering the City's Zoning and Land Development Code. Planning is committed to ensuring all new construction projects or new businesses within the City of Hollywood have a positive impact on the quality of life, of our residents, businesses and visitors. Planning strives to provide the highest level of customer service and convenience through the coordination of the development review process. Planning oversees several of the processes involving new and existing development and redevelopment within the City.